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This series of videos introduces basic Photoshop design techniques. You'll learn how to work with layers, combine images, use layer masks, and add creative graphics, text, and effects. You'll use these skills to combine design assets into a simple, unique composite for print or online use. Have fun following along with your own images or the sample files provided on this page.




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Layers are the building blocks of any Photoshop design. Start building this layered design by creating a new layer for original artwork and by adding one image to another. Along the way, you'll become familiar with the Layers panel, and you'll learn the essentials of working with layers.


Layer masks are the most flexible way to combine images. A layer mask hides part of a layer to display what's on the layers below. Use layer masks in this design to replace a dull sky in one image with dramatic clouds from another and to gradually blend artwork into the rest of the design.


Photoshop isn't just for photographs. Take your design further by making custom shapes in Photoshop and placing a logo made in Adobe Illustrator. Vector graphics like these can be scaled and edited as much as you like.


Save your design in PSD format to retain its layers and effects for future editing. Then save or export copies for different uses. Save a copy as a PDF for sharing, and use Photoshop's Export features to export all or part of the design in web-friendly formats.


Whether you are a graphic designer, photographer, illustrator, orscientist, GIMP provides you with sophisticated tools to get your jobdone. You can further enhance your productivity with GIMP thanks tomany customization options and 3rd party plugins.


The selections here span a variety of needs: raster image editing, vector editing, typography, interface design, and page layout. Read on for our top picks. And for more help in picking the software that's right for you, see our guide after the product entries.


Graphic designers who work with raster images and need compositing layers will have a hard time doing their jobs without Photoshop. It's the industry standard, so any clients or vendors you deal with will accept files from Adobe's class-leading image software. There are other options that support its formats, but sometimes you don't get 100% compatibility, and those tools lack Photoshop's slick interface and cutting-edge image-manipulation tools.


Photoshop is for professional designers, as well as photographers who want to make detailed pixel-level edits and apply advanced effects to their work. Serious amateurs can greatly benefit from learning to use Photoshop, too, and the program includes multifarious help and tutorial resources. It's not, however, for anyone unwilling to pay a recurring subscription.


Illustrator is the premier vector editing and drawing application bar none. Yes, you can edit vector graphics in some other products included here, particularly CorelDraw, and that app can even pull off some effects that are harder to do in Illustrator. But most graphics designers are best served by the industry-standard Adobe Illustrator. With it you also get impressive type support and companion tablet apps for creating digital drawings.


Illustrator is undeniably for any professional illustrator or graphics editor, but hobbyists who like to create visual art also can benefit from it, too. Those who are unwilling to pay a recurring subscription fee, however, should look to one of the other products included here, like Affinity Designer or CorelDraw.


InDesign is squarely aimed at publishing layout design professionals. Marketers and those who need to produce publications can also benefit from it. As with all the professional design software from Adobe, it requires a recurring subscription fee, so it's not for you if you balk at that prospect.


Adobe XD is one case of a product from Adobe that's not actually the industry standard. In the field it inhabits (interface design and prototyping) the product to reckon with is Sketch, which now faces competition from Figma, recently acquired by Adobe. Despite coming a little later to the field, though, XD offers great responsive-design tools, strong team features, and the familiarity of Adobe tools.


Appealing modern design templates for social media, presentations, and printing are standouts in Canva. The web, mobile, and desktop app can be had for free, although for an annual fee, you get access to a wealth of extra templates and stock content. The Canvas for Teams subscription adds strong collaboration features.


If you want an easy, more-affordable entrée into the world of vector graphics design, CorelDraw is worth a look. It also can serve professionals who want some of its special effects tools. And if you don't want to pay a subscription, Corel lets you buy to own for a one-time price.


PaintShop Pro is a longtime Photoshop competitor, and while it offers a great many of the tools found in Adobe's market-leading application, it costs a lot less. As a plus, you can work with vector images as well as raster.


Sketch has become something of a standard in the interface design and prototyping field, with Adobe XD and now Figma making inroads. It offers a clean, intuitive interface, and lots of support, including a large community of users. Collaboration with coworkers and delivering prototypes to customers are just some of its strengths.


Like Adobe XD, Sketch is squarely for those who need to design app or website interfaces and need the ability to create shareable prototypes and wireframes. Like Adobe XD, it requires a subscription, albeit a much-lower-priced one. Unlike XD, Sketch only runs on macOS.


Express is for those who don't want to invest hundreds of hours learning how to use Adobe's professional design applications, yet need to quickly create compelling materials for marketing or social network posts. The free version will appeal to hobbyists, while the paid Premium subscription costs less than Creative Cloud but adds features useful for professionals.


As alluded to above, Affinity Designer is primarily for those who don't want to pay the Adobe monthly tribute. So it's a good option for design amateurs, but pros will appreciate some of its capabilities as well.


Wherever you look, you see graphics of all kinds. The job titles of people who create them are similarly expansive: visual designer, web designer, illustrator, interaction designer, app designer, photo retoucher, type designer, and on and on. Even non-designers can get into the act with template-based products like the new Adobe Creative Cloud Express and Canva.


For example, while Photoshop is the go-to photo-editing tool, it also creates awesome photo-realistic text effects. In 1989, no one could have guessed Photoshop would become the favorite front-end web design tool (with nods to Sketch, XD, and other capable newcomers). Though CorelDraw's forte is in the production and service bureau industry, it also lets graphic artists produce astounding photorealistic vector art and illustration using blends, gradients, and transparencies. (Of course, Illustrator is the most famous name in vector art.)


Each designer has different goals, psyches, and abilities, and with this trio of apps, you're sure to discover the tools and processes that meet your needs. Ultimately, you should choose the tools that make you feel the most proficient, and stick with those that release timely and purposeful upgrades. It's important your graphic design software encourages your technical growth and challenges you to boost the skills you need to keep yourself relevant during today's visual design and interface sea changes.


Working graphic design professionals will have to pay for their software, but there are options for those who want to dabble in the field without laying out any cash. Inkscape can get you started with vector graphics, and it is completely free and open-source. However, it forces you to do without some major creature comforts, such as easy installation on macOS.


Imagery is a visual representation of items, people, scenery, and ideas through photos, illustrations, drawings, and graphics. In graphic design, images are part of visual language, which helps communicate information quicker than text. In fact, studies show the human brain responds to visuals 60,000 times faster than the written word.


The goal of images in graphic design is to help consumers understand the product or service being portrayed. Graphics that contain high-quality images bring more sales and improve customer satisfaction. Also, studies show customers are more likely to buy from companies that invest more in graphic designers and high-quality images.


Raster images are understood to be any JPEG, PNG, or TIFF file you find on the Internet or in print ads, or perhaps even the indispensable picture of your cat. Raster images comprise millions of tiny dots called pixels, each of which has a specific color and/or tonal value. Together, these pixels (and the shading surrounding them) make up the entire image.


Raster images lose quality when scaled and are therefore not suitable for large prints, such as billboards. If you use raster images for large prints, use the highest resolution possible. I, therefore, recommend using high-quality images from a photo agency or a camera with a large sensor.


Photoshop and InDesign are the most popular programs for working with raster graphics. They also accept vector formats, but their file formats are raster formats, and vector files are converted to bitmaps to make them work in the software.


In graphic design, images play an important role because they visualize texts and concepts that cannot be expressed with words. A good graphic design comprises images that evoke an emotional response in the viewer and provide additional information.


Use images as a medium to convey a message. For example, if a client wants to send a message to potential customers, they could use an image of their products to show what they offer. Therefore, images also play a crucial role in advertising. 041b061a72


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